That demo at the Corning Museum workshop made me rethink my whole approach to color

Everyone in my studio swears by layering color rods for depth, but watching a master from Murano work at Corning last fall changed my mind. He used a single, thick gather of intense color and shaped it with heat control to get these amazing shifts, no layering needed. It felt like cheating, but the result was way more vibrant than my usual stacked pieces. Has anyone else tried moving away from layered color for certain effects?

2 comments

2 Comments

david_martin7d ago

Totally get that feeling of seeing a new method and having it click. I was all about building up layers for years, but watching a similar demo made me realize how much vibrancy gets lost between them. Now I reach for a single bold color way more often.

the_kim7d ago

It's like how we overcomplicate so many things. We add extra steps to recipes, endless meetings to simple problems, or ten products to a skincare routine. The best solutions are usually the cleanest ones, like a great song with just a few chords. Your color story is a perfect example of that.